Teppei Kaneuji, Endless, Nameless (Constructions)

ended

Oct

25

Exhibition Tours : Saturdays, 2.30pm (English), Fridays, 1.00pm (Japanese) | 6.30 - 8.30pm

STPI Gallery

41 Robertson Quay, Singapore 238236

Rising contemporary artist Teppei Kaneuji debuts Southeast Asian Solo show at STPI RISING CONTEMPORARY ARTIST TEPPEI KANEUJI TO DEBUT SOUTHEAST ASIA SOLO SHOW AT STPI

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Inga Svala Thorsdottir & Wu Shanzhuan 'The Printer. The Paper. The Layer. The Thing's Right(s). The

ended

May

17

19 April - 17 May 2014 | Mon - Fri: 10am-7pm. Sat: 9am-6pm. Closed on Sundays and Public Holidays

STPI Gallery

Singapore Tyler Print Institute 41 Robertson Quay Singapore 238236

The critically acclaimed conceptualist duo Wu Shanzhuan and Inga Svala Thorsdottir (China/Iceland) develop their ongoing humanist works at STPI as they examine, question, and expand the value of art and the meaning of its making.

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STPI at The Armory Show 2014

ended

Mar

09

6-9 March 2014 | Public Hours: Thursday, March 6th - Sunday, March 9th, 12 pm to 7 pm.

New York City, Pier 94

Piers 92 & 94 Twelfth Avenue at 55th Street New York

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Paper Pushers: Methods & Materials

ended

Apr

05

1 March - 5 April 2014 | Tuesday-Saturday: 10 - 6pm. Closed on Sundays and Public Holidays. Mondays by appointment only.

STPI Gallery

41 Robertson Quay Singapore 238236

"Paper Pushers: Methods & Materials" challenges conventional perceptions of what artworks made using paper and print can be. Delving in to uncover the possibilities of paper, artists find fresh means to express creative concepts and longstanding preoccupations.

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Han Sai Por 'Moving Forest'

ended

Feb

22

15 January - 22 February 2014 | Tuesday-Saturday: 10 - 6pm. Closed on Sundays and Public Holidays. Mondays by appointment only.

Singapore Tyler Print Institute (STPI Gallery)

41 Robertson Quay, Singapore 238236

Trading hard stone and marble sculptures for flexible paper pulp, Han Sai Por's collaboration at STPI stretched the potential of paper to possess volume and tactility. Nature-inspired forms and forest motifs are given fresh treatment through etching, woodblock printing, paper pulp molding.

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